It must be tough to know when your child is of the proper age to be taken to a movie theatre or a live performance and be trusted not to act out. No one wants to deal with a restless preschooler, especially in public. Fortunately, here in Columbus, we have Columbus Children’s Theatre and CATCO is Kids!, two companies that present short (usually less than an hour) productions intended for the younger set in an environment far less formal (not to mention much less expensive) than taking a chance on a stress-free excursion to The Lion King or Wicked. Something short, familiar, and less formal is exactly what CATCO is Kids! is presenting with Hansel and Gretel at the Van Fleet Theatre within the Columbus Performing Arts Center. Seating is on bleachers, the performance runs for around forty minutes, and the production is tame enough that the toddlers in attendance shouldn’t be too frightened.
Hansel and Gretel is presented in an adaptation of The Grimm Brothers original by Steven C. Anderson, CATCO’s Artistic Director, sticking closely to the outline of the source except for a post-modern spin; the actors come out to present the story, referring to many other fairy tales before settling on the proper details for this one. For those not in the know, Hansel and Gretel is the story of two children living an impoverished life with their woodcutter father and his harridan of a second wife. In an extreme example of free-range parenting, the children are lead into the woods to survive on their own or perish, only to happen upon the gingerbread house of a cannibalistic witch. Hansel and Gretel must use their brains to outwit the witch and return home.
Director Joe Bishara leads two energetic young actors (Colby Tarrh and Madison Rose Wilson) to perform all of the parts, manipulate the puppets, and handle the scenic changes, and they appear more than up to the challenge. Mr. Tarrh is especially engaging as Hansel, Hansel’s father, and one of the narrators. Ms. Wilson comes off as shrill whether she is portraying the stepmother, the witch, or Gretel, and her narrator is one that is characterized as a know-it-all and brash; the part is written so she could have performed it as confused and simple, which would’ve helped her come off as more likable and comedic. Still, Ms. Wilson and Mr. Tarrh make a good, determined team, and they appear perfectly comfortable interacting with the audience.
One glaring directing snafu is one in which the actors turn away from the audience when they are voicing their puppets. It only happens when the witch or either of the parents are also in the scene conversing with Hansel and Gretel, but having the actors spin around is not only unnecessary but even looks a bit ridiculous; when they are both doing it, reciting lines as multiple characters and twirling around together, it’s like they are funneling down a bathtub drain. Children can be trusted to suspend disbelief enough to understand that when Ms. Wilson is playing the stepmother that she is also controlling and voicing Gretel as a puppet; after all, surely their parents have read them bedtime stories without the need to turn away as they did various voices.
The set by John Baggs is serviceable, a wooden unit painted to resemble trees, designed with layered backdrops for the witch’s home and her oven. The only problem is how flimsy the backdrops look being split down the middle and held in place by bands on either side; the section representing the oven doesn’t look much like an oven either. The main standing set looks quite sturdy, as if it was designed to withstand weather and use. Curtis “Nitz” Brown’s lighting is quite effective, creating the illusion of dappled sunlight through the trees, though interestingly enough the demise of the witch doesn’t involve the use of any bold lighting or sound effects; the conclusion of the play is oddly devoid of excitement, so much so that the audience remained silent at the performance I attended until Mr. Bishara let them know, “That’s it!” at the end.
Hansel and Gretel is just about par for the course as far as children’s theatre goes, which is unfortunate. As with many a children’s television series and film, adults in attendance will probably find themselves checking their watches from time to time, something that shouldn’t happen for a show that lasts only forty minutes. Hansel and Gretel is benign enough to be suitable for very young children as one of their first theatre experiences, but it certainly could’ve been a bit more engaging for the rest of us with a tad more effort and creativity.
** out of ****
Hansel and Gretel continues through to March 20th in the Van Fleet Theatre within the Columbus Performing Arts Center at 549 Franklin Avenue, and more information can be found at http://catco.org/catco-is-kids/2015-2016/hansel-and-gretel