Once on This Island JR. is an abridged version of the acclaimed Broadway musical Once on This Island, which premiered in 1990 and ran for over a year. Based on Rosa Guy’s novel My Love, My Love, and with music by Stephen Flaherty and music and lyrics by Lynn Ahrens, the musical tells the story of Ti Moune, an orphaned peasant girl on a small island in the French Antilles, who rescues Daniel, a rich planter’s son from the other side of the island, when he wrecks his car during a storm. Ti Moune falls in love with Daniel, even promising her soul to Papa Ge, a Demon of Death, if Daniel’s doesn’t die. Daniel’s life is spared, and Ti Moune works to nurse him back to health. Daniel’s family soon appears to take him back to their side of the island and to a life of privilege and wealth the complete opposite of Ti Moune’s home. Against the advice of her adoptive parents, Ti Moune sets out to return to Daniel, certain that her love for him will be returned in kind; little does she know that Papa Ge, to whom she has promised her soul, and Erzulie, the Goddess of Love, have a wager going with Ti Moune’s life to determine which is stronger: the power of love or the power of death.
Is it worth seeing?
Absolutely! Granted, this is a version of the show with a few songs cut and altered, but the basic story and the best, most lively songs are still intact. This production runs about an hour in length and is appropriate for ages six and up, but by no means is this a show that only children can appreciate.
I must say that, as a big fan of the original show, I went into this altered “JR.” version more than a bit concerned. The color element, an intrinsic part of the original story (the poor side of the island has dark-skinned peasants while the affluent part has light-skinned rich folks), has been surgically removed from this edition, opening up the musical to be performed by all races and ethnicities; the classism is still there, but this time around skin color isn’t a factor. The result isn’t blasphemous like say an all-white production of A Raisin in the Sun or The Color Purple might be, but important songs that serve to explain more of the plot (“The Sad Tale of the Beauxhommes,” “Some Say,” and “Some Girls”) have been cut. The big love song “Forever Yours” has also been trimmed down to almost nothing; still, this adaptation (approved by the creative team) is successful in turning a show with some mature themes and concepts into one palatable for children and adults alike. This is one musical for which every track on the original cast recording is worthy; in fact, it might appeal to adults more than kids.
Director Ryan Scarlata guides his Summer Youth Performance Conservatory cast of teens and pre-teens deftly, always keeping the action moving. The cast is energetic with talent and spirit to spare, and their ensemble singing is notable for the clarity in their diction. So often ensemble numbers can sound unfocused with moments being unintelligible, but that is not the case here; in fact, the overall sound design is spot on, with the pre-recorded orchestra track at an appropriate level to allow the vocal performances to dominate. Jeffrey Gress’s multi-level set looks a bit reminiscent of Mamma Mia with its beachy coloring and bold blue sky, but it suits this story very well, as do the saturated colors and patterns of the costumes (save for those worn by the affluent side of the island, a wise choice to visually show the difference between the social classes).
Standouts in the cast include Sara Tuohy as Ti Moune, her voice possessing a purity that is thrilling; Amirah Joy Lomax as Asaka, Goddess of the Earth, whose performance of “Mama Will Provide” is engaging enough to inspire spontaneous dancing from the audience (they didn’t do it at the performance I attended, but I would not be surprised to learn if it happened); Kyle Channell as Tonton Julian and Megan Masciola as Mama Euralie are caring foster parents to Ms. Tuohy’s Ti Moune, their voices full of genuine affection and heart when they warn her of seeking out Daniel; Katie Wagner as Erzulie, Goddess of Love, whose rendition of “The Human Heart” is instilled with wisdom beyond her years; and Maria Dalanno as Andrea, Daniel’s betrothed (Sorry! Spoiler alert!), brings nuance to a character that can be played as just a snotty mean girl; Ms. Dalanno appears too clever to play just that one note, as here she ranges from skeptical to annoyed to concerned and finally empathetic to Ti Moune’s feelings.
The source novel derives inspiration from Hans Christian Anderson’s The Little Mermaid with its sad conclusion intact, and yet the ending of Once on This Island JR. is filled with hope for the future. The message of parents needing to allow their children to explore the world and make their own mistakes is quite clear, as is the point that sometimes it takes just one person to go against the grain to change the future, no matter how many naysayers are on the sidelines.
Once on This Island JR. is not as sterling a show as in its original version, but this children’s adaptation comes awfully close. Only those familiar with the original show will sense the changes, and judged on its own merits this is one production that I can highly recommend.
My rating: *** 1/2 out of ****
Where can I see it?
Once on This Island JR. continues through to August 7th in Columbus Children’s Theatre’s Park Street Theatre located at 512 Park Street in downtown Columbus, and more information can be found at http://www.columbuschildrenstheatre.org/once-on-this-island-jr.html